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Relentless
Jason Aldean

Released May 29, 2007 on Broken Bow

Available on: CD

 
Track No. Song Title Length
1. Johnny Cash 3:10 
2. Laughed Until We Cried 3:22 
3. Do You Wish It Was Me 4:24 
4. I Use What I Got 3:06 
5. Who's Kissing You Tonight 3:24 
6. Relentless 3:41 
7. My Memory Ain't What It Used to Be 4:13 
8. No 3:41 
9. Back in This Cigarette 4:35 
10. Grown Woman 3:58 
11. I Break Everything I Touch 3:20 
12. Not Every Man Lives 6:26 
13. [CD-ROM Track]  
Peter Coleman
Engineer, Mixing
Richard Dodd
Mastering
Tony Harrell
Piano, Organ (Hammond), Wurlitzer
Steven King
Organ (Hammond)
Liana Manis
Vocals (Background)
Jack Sizemore
Guitar (Electric)
Wendell Mobley
Vocals (Background)
Sam Martin
Engineer
Wes Hightower
Vocals (Background)
Kristin Barlowe
Photography
Michael "Mike Dee" Johnson
Guitar (Steel)
Luellyn Latocki
Art Direction
Brandon Epps
Engineer
Ron Roark
Art Direction
Adam Shoenfeld
Guitar (Electric)
Kurt Allison
Guitar (Electric)
Tully Kennedy
Guitar (Bass)
Miranda Lambert
Performer
Michael Knox
Producer
Mike Noble
Guitar (Acoustic)
Marcus Melton
Cover Design
Hailing from Macon, GA, country-rocker Jason Aldean absorbed a variety of musical influences in his youth and he happily incorporates them into his unusually personal style -- one that eschews Hat Brigade purity in favor of a greasy, gritty sound that draws on influences from all around the South and maybe a few points north as well. Following on the heels of both his surprise win as the Academy of Country Music's Top Male Vocalist and gold sales of his debut album, Relentless finds Aldean messing around with his sound a bit: the guitars are heavy and aggressive, and where others might incorporate lonely pedal steel he has a tendency to bring in a raunchy electric bottleneck guitar; the big chorus on "Who's Kissing You Tonight" is all Nashville, but the chugging twin guitars on the album's title track are more in line with vintage .38 Special than anything you're likely to hear coming out of Music City. And if "My Memory Ain't What It Used to Be" never quite seems to get off the ground, the roaring "Johnny Cash" and the more subtly uplifting "No" both make up for it. And his duet with Miranda Lambert on "Grown Woman" is a slow-burning gem. (If you need more cowbell, consult the brilliantly rollicking "I Break Everything I Touch.") ~ Rick Anderson, All Music Guide